Stained Glass of St Mary Church Banham

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This panel of foreign glass, thought to date from the 16th century, depicts the Blessed Virgin Mary carrying the child Jesus

This c1880 window, from the J Powell & Sons workshop, is made up of a typically grisaille pattern. As can be seen below it was installed at the behest of a John Wick in memory of his ancestor

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The 19th century panel shows a New Testament scene

This 1878 window was built at the same time and of the same style as the North Chancel Window 1. It came from the J Powell and Sons workshop, and is believed to have been designed by Henry Holiday. In this window Saint Matthew and Saint Mark are depicted under elaborate canopies. In the tracery light an angel swings a thurrible

This 1878 window was built at the same time and of the same style as the North Chancel Window 2. It came from the J Powell and Sons workshop, and is believed to have been designed by Henry Holiday. In this window Saint Luke and Saint John are depicted under elaborate canopies. In the tracery light an angel swings a thurrible.

This 1857 window was made by the firm of J Powell & Sons. The central crucifixion panel was designed by John Richard Clayton, who in partnership with Alfred Bell, went on to create one of the most respected stained glass firms of the era. h

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The South Chancel Windows 1,2 & 3 seem to contain twelve figures representing the apostles. There is some doubt as to their origin but it is likely that they date from post 1830. They would seem to have been made using inferior materials resulting in their faces, and other painted details, fading

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The South Chancel Windows 1,2 & 3 seem to contain twelve figures representing the apostles. There is some doubt as to their origin but it is likely that they date from post 1830. They would seem to have been made using inferior materials resulting in their faces, and other painted details, fading

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The South Chancel Windows 1,2 & 3 seem to contain twelve figures representing the apostles. There is some doubt as to their origin but it is likely that they date from post 1830. They would seem to have been made using inferior materials resulting in their faces, and other painted details, fading

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Glass illustrating the Tudor, possibly Elizabethan, Royal coat of arms. There is some doubt as to its origin but it is likely that it dates from post 1830. It would seem to have been made using inferior materials resulting in the painted details fading.

This 1864 window from the J Powell & Sons workshop includes medallions designed by Henry Holliday illustrating Christ’s : Nativity, Baptism & Ascension.

This c1936 window in memory of William Gaymer depicts Christ in a rural scene. It bears some resemblance to the South Aisle

This c1914 window was commissioned by William Gaymer in memory of various members of his family. Made by the firm of Kempe & Tower it depicts “The Presentation of Christ in the Temple” in a high Victorian style, somewhat reminiscent of a Clayton & Bell design